
Cutting dialogue like you mean it
When to stay on the speaker and when to cut away, without telegraphing the move.
Read the pieceOccasional, practical writing about editing, color and retouching — the kind of notes we wish someone had handed us when we started.

When to stay on the speaker and when to cut away, without telegraphing the move.
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Exposure choices that save the grade later, and the small habits that prevent them.
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The edge between face and hair that shows every shortcut, and the careful way to keep it.
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